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Sounding like a cross between T.I. and Pimp C, Big K.R.I.T. raps in a breathless drawl about the familiar themes: hustling, pimping, and the plight of the impoverished and isolated. He’s a remarkably versatile rapper, appearing as comfortable on a widescreen banger like The Last King’s “The South” as he does on the introspective, subdued “Something,” off K.R.I.T. Wuz Here. What’s unique, and arguably more impressive, about Big K.R.I.T.’s music is the fact that he produces all the beats himself. Like his hero Pimp C, K.R.I.T. favors vintage soul samples, but he dresses up those old tunes with layers of keyboards and club-ready percussion for an effect that is less lean and funky like UGK than it is dizzying, maximalist, and utterly absorbing. This is country rap, sure, but it’s country rap stamped with the cosmopolitan influences of the Internet and Atlanta, where K.R.I.T. has resided for the past few years.

See the full article from “Prefixmag”